![Zalika Azim Blood Memories](https://www.bemiscenter.org/media/residents/zalika-azim/_1200xAUTO_crop_center-center_95_none/Blood-Memories-Zalika-Azim.jpg 1200w, https://www.bemiscenter.org/media/residents/zalika-azim/_2000xAUTO_crop_center-center_95_none/Blood-Memories-Zalika-Azim.jpg 2000w, https://www.bemiscenter.org/media/residents/zalika-azim/_4000xAUTO_crop_center-center_95_none/Blood-Memories-Zalika-Azim.jpg 4000w)
Zalika Azim
Zalika Azim (b. 1990, Brooklyn, New York) is a artist and educator with ancestral roots in Aiken, South Carolina and Port of Spain, Trinidad and Tobago. Her conceptual practice explores the tensions between personal and collective narratives (both known and indecipherable) in order to explore Black movement, belonging, and possibility. Azim received a BFA in Photography & Imaging from New York University (2014), and a BA in Social and Cultural Analysis from New York University (2014), and a MFA in Photography from the University of California Los Angeles (2023). Azim's work has been presented in solo exhibitions with Baxter Street at The Camera Club of New York and Soho20 Gallery. Group exhibitions include MASS Gallery, Various Small Fires, The Mistake Room, New Wight Gallery at the University of California Los Angeles, San Luis Obispo Museum of Art, 1708 Gallery, Milwaukee Art Museum, Gagosian, Welancora Gallery, Meyerhoff Gallery, Maryland Institute College of Art, The African American Museum in Philadelphia, Dorsky Gallery, and The Dean Collection. Azim has completed residencies with Pratt>FORWARD (2021), the McColl Center for Art + Innovation (2020), NXTHVN (2019-20), Shandaken Projects (2019-20), BRIC (2019), and Baxter Street at The Camera Club of New York (2018). She was the recipient of the 2023-2024 St. Elmo Arts Residency, a Fellowship hosted by the Department of Art & Art History at The University of Texas at Austin.
![Zalika Azim Gathering 3 (Double Dutch Study)](https://www.bemiscenter.org/media/residents/zalika-azim/_1200xAUTO_crop_center-center_95_none/Gathering-3-Zalika-Azim.jpg 1200w, https://www.bemiscenter.org/media/residents/zalika-azim/_2000xAUTO_crop_center-center_95_none/Gathering-3-Zalika-Azim.jpg 2000w, https://www.bemiscenter.org/media/residents/zalika-azim/_4000xAUTO_crop_center-center_95_none/Gathering-3-Zalika-Azim.jpg 4000w)
Gathering #3 (Double Dutch Study), 2021, Charcoal on Paper, 32 1/2 x 22 1/2 inches (framed). Photo courtesy of the artist.
![Zalika Azim Ascension Device I](https://www.bemiscenter.org/media/residents/zalika-azim/_1200xAUTO_crop_center-center_95_none/Ascension-Device-I-Zalika-Azim.jpg 1200w, https://www.bemiscenter.org/media/residents/zalika-azim/_2000xAUTO_crop_center-center_95_none/Ascension-Device-I-Zalika-Azim.jpg 2000w, https://www.bemiscenter.org/media/residents/zalika-azim/_4000xAUTO_crop_center-center_95_none/Ascension-Device-I-Zalika-Azim.jpg 4000w)
Ascension Device I (for meditations on arrival), 2022, Wood, Aluminum, Polypropylene Ropes, Spoked Wheels, and Electric Gear Motors, 78 x 168 inches. Photo courtesy of the artist.
![Zalika Azim Blood Memories](https://www.bemiscenter.org/media/residents/zalika-azim/_1200xAUTO_crop_center-center_95_none/Blood-Memories-Zalika-Azim.jpg 1200w, https://www.bemiscenter.org/media/residents/zalika-azim/_2000xAUTO_crop_center-center_95_none/Blood-Memories-Zalika-Azim.jpg 2000w, https://www.bemiscenter.org/media/residents/zalika-azim/_4000xAUTO_crop_center-center_95_none/Blood-Memories-Zalika-Azim.jpg 4000w)
Blood Memories (or a going to ground), 2023, Video (still, silent), 00:17:07. Photo courtesy of the artist.
![Zalika Azim Somewhere in advance of nowhere](https://www.bemiscenter.org/media/residents/zalika-azim/_1200xAUTO_crop_center-center_95_none/Somewhere-in-advance-of-nowhere-Zalika-Azim.jpg 1200w, https://www.bemiscenter.org/media/residents/zalika-azim/_2000xAUTO_crop_center-center_95_none/Somewhere-in-advance-of-nowhere-Zalika-Azim.jpg 2000w, https://www.bemiscenter.org/media/residents/zalika-azim/_4000xAUTO_crop_center-center_95_none/Somewhere-in-advance-of-nowhere-Zalika-Azim.jpg 4000w)
Somewhere in advance of nowhere (or how to move a line when it is buried in the earth), 2021, C-print Mounted on Archival Pigment Print, 50 x 33.4 inches. Photo courtesy of the artist.
![Zalika Azim Photographs Not Taken (I-277 North)](https://www.bemiscenter.org/media/residents/zalika-azim/_1200xAUTO_crop_center-center_95_none/Photographs-Not-Taken-Zalika-Azim.jpg 1200w, https://www.bemiscenter.org/media/residents/zalika-azim/_2000xAUTO_crop_center-center_95_none/Photographs-Not-Taken-Zalika-Azim.jpg 2000w, https://www.bemiscenter.org/media/residents/zalika-azim/_4000xAUTO_crop_center-center_95_none/Photographs-Not-Taken-Zalika-Azim.jpg 4000w)
Photographs Not Taken (I-277 North), 2021, Engraved Wooden Panels, Wood Finish, and Car Oil, 47 3/8 x 37 inches. Photo courtesy of the artist.
GET MORE ART IN YOUR INBOX
Contemporary Arts
724 S. 12th Street
Omaha, NE 68102
402.341.7130
info@bemiscenter.org